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( •́ ▾ •̀ )
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She is strong, but not in the ways most people think. She loves more than she’ll ever get back and she knows it.
And yet, she loves anyway.
And yet, she loves anyway.
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hey guys 👀
Posted by
officialdeancas
“Swear it.”
“Why me?”
“Because you’re the reason. Swear it.”
“I swear it,” I said, lost in the high color of his cheeks, the flame in his eyes.
“I swear it,” he echoed.
We sat like that a moment, hands touching. He grinned.
“I feel like I could eat the world raw.”
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come home safe, love
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this is dedicated to anyone & everyone who is having a bad day: you are a blessing!! don’t ever let anybody bring you down!! 🌟 i genuinely hope these spreads warm your heart!!
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Shimada bros:
- Genji: [stepping out of a shadow as he begins to softly glow green, underscored by a gentle hiss of steam] brother stop being so dramatic
- Hanzo: [standing in a gentle breeze as the smoke from the incense he lit wafts around him, softly releasing a clutched handful of sparrow feathers into the wind while a single tear rolls down his cheek] I'm never dramatic
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who here was on tumblr 4+ years ago
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April. Sylvia Plath has been a strong inspiration lately; I love this quote of hers. This is the first time I tried making a more creative spread, since I didn’t find myself using the traditional monthly overview much. Raindrops everywhere :)
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this hoes back
what’s up dudes 💕 haven’t blogged in a while
Posted by
officialdeancas
S4 Theories (So Far)
allroadsleadbacktobakerstreet:
Feel free to add others that you’re leaning towards.
- John was texting Sherlock in the night scene. The woman on the bus is just a distraction meant to derail us. If John really was texting with Sherlock it may explain his anger and resentment towards Sherlock. He’s confused about what he’s been feeling whilst texting Sherlock and this feeling translates to immense guilt when he sees Mary die before he can confess what’s going on.
- John is in on Mary’s fake death plan. That scene was so fake. There was too much blood, the death seemed to quick, especially seeing as Mary was shot in the same place as Sherlock was and it took him a while to flatline. Plus, John is an army doctor and a bloody good one at that, and yet he didn’t frantically panic and scramble over Mary’s wound like he did when he found out Sherlock had been shot.
- I keep on thinking back to the line “It takes John Watson to save your life” and Sherlock’s statement of “You’ve saved my life so many times and so many ways” What if this is somehow foreshadowing the fact that John has to do something that he thinks will save Sherlock’s life? The wanting Sherlock out of his life? Fake. It’s just to keep Sherlock off the scent that John is up to something. I mean, where the hell is he at the end? He certainly isn’t looking after Rosamund. What if John thinks that he is saving Sherlock’s life but this drives Sherlock to the brink of insanity and destruction in TLD? Could that be why John is so upset in that 221B scene, because he sees how far Sherlock has fallen and realises he’s massively miscalculated.
- Sherlock has been drugged/poisoned/is hallucinating/ is in a coma because in reality he is already facing Culverton alone.
TST is a dreamscape, his memories replaying what happened inside his mind. Didn’t Mycroft’s office look a bit as though it belonged in a mind!palace scene? Moriarty’s voice from TAB comes to mind… “Is this silly enough for you yet? Gothic enough? Mad enough, even for you? It doesn’t make sense, Sherlock, because it’s not real. None of it.”
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